::: HEADLINE NEWS @ MontrealDancehall.com......Montreal's Premiere Dancehall Reggae Site

::: PASSA PASSA INVADES MONTREAL ::
[ January 12th, 2009 ]

THE "DREAM TEAM" Swash International "The Passa Passa Sound" Swash International, the real Passa Passa sound, was established in 1991 by the bright mind of young O’Neil Miles, whose love for music went back from the days he attended Jamaica College.

In a short time Swash International became one of the top ranked sounds coming out of Kingston Jamaica, from the late 90’s going on into the year 2000. This was due to the hard work put in by Miles and his team of selectors which grew in numbers with the addition of Carl “Maestro” Shelly.

Swash International began receiving a lot of request to play at top events happening on the local dancehall calendar, playing alongside top sounds such as Stone Love, Metro Media, Rebel T, Jam Rock, Renaissance, Coppershot, Bass Odessey among others. Swash International took the business to another level when they started to play overseas as well. With the introduction of the street dance Passa Passa which was established by Miles in March 2003, this also increased the popularity of the sound. As Passa Passa got bigger and bigger, Swash International benefited tremendously as playing as the resident sound, people from all around, both locally and overseas got to witness, their true potential. Also with the sale of Passa Passa’s DVD and CDs all around the world, status was elevated on the world stage as they started to have a lot of fans overseas.

Check out Swatch International live in Montreal at the E.B. Club Lounge on Saturday January 31st, 2009 with King Farre and more.

::: THE ETANA EXPERIENCE ::
[ December 8th, 2008 ]

Big Yard - Monday December 8, 2008: Alton Nehemiah Reggae music has birthed yet another rarity- a spirited and soulful singer/songwriter in the eloquent and enchanting empress Etana!

In just one short year, Etana has been hailed as one of the burgeoning new and sensational sound in the roots Reggae era. This young woman, a small one at that, in a largely male-dominated industry makes her presence even more powerful.

Her debut single, Wrong Address, co-written with Sean Element and released in the spring of 2006 has created waves throughout the music scene. The recognition is attributable to her unique and expressive vocals which envelope the song, as well as the song’s lyrical content. To catch her in performance is to experience an intriguing mix of the sultry and meditative – her body sways and dances as her voice soars and her musical testimonies are as edifying as they are captivating.

Etana’s beginnings are humble, but influence greatly her intense passion for music and the sense of maturity and respect with which she approaches her art.

With her roots sunk deep in August Town, Jamaica, the home base of Reggae icon Sizzla, but her feet physically planted in Miami, Florida after migrating there with her family at 9 years old, Etana tried to succeed in the music business as a member of the all girl pop group Gift.

It was not until she returned to the source, uncannily to start up an internet caf.. with a friend in the busy Kingston metropolis that her lifelong dream began to be realized. She scored an audition with Fifth Element Records, the management company largely responsible for launching the careers of Richie Spice and Chuck Fender.

Floored by her powerful and sometimes raspy alto voice, the Fifth Element management team immediately asked her to join Richie Spice’s touring party as a backing vocalist. The ensuing fifteen months would see Etana stepping up and out to soak up some of the stage lights, gracing stages in Europe and North America and independently in Africa.

Wrong Address struck a resounding chord with Reggae enthusiasts and still receives heavy radio rotation. Her most recent single Money released in the summer of summer 2006 has proved to be a radio friendly hit.

From reggae and pop to rock and jazz, her musical influences are varied and though she is not one to subscribe to labels, Etana describes her brand of music as reggae soul – “It is straight from the heart, straight from the soul, straight from the people and everyday life” .

Operating now from both Solid Agency, the leading Caribbean entertainment events & artiste management company and the iconic Fifth Element Records, expect the release of Etana’s debut album which is still untitled in the spring of 2007. In the mean time her third single, Youths, though not officially released, has already begun to enjoy popularity as evidenced from her live performances. Prepare yourself for the Etana Experience!

Check out Etana live on Saturday December 20th, 2008 at the E.B. Club Lounge 5345 De Maisonneuve West, corner Decarie, Montreal alongside the New Kingston Band, Kya Kindu and many more.

Click here to listen to her past interview at Sting live in Jamaica

Click here to listen the MontrealDancehall.com drop from Etana

::: ROCKSTEADY KING PASSES ::
[ October 14th, 2008 ]

Yardflex - Tuesday October 14, 2008: Alton Nehemiah Ellis, a pioneer of the rock steady sound, passed away on Friday October 10, 2008 in Hammersmith Hospital, West London; succumbing to Lymphatic Cancer.

Starting off in the business of music in the 1950s the mega hit maker, continued to woo crowds with new tracks as well as the many popular songs he released back in the day like: "I'm Still In Love" and "I'm Just A Guy".

He was still performing up until August of this year when he collapsed at a concert in London. Diagnosed with cancer last year, Alton had received chemotherapy before returning to the stage.

Alton moved from Jamaica to live in the UK in the 70's and his Manager reportedly said there are talks of a Jamaican state funeral for the prolific singer.

MontrealDancehall.com sends out heartfelt condolences to Alton Ellis' entire family.

::: ALTON LOSING CANCER BATTLE ::
[ October 10th, 2008 ]

[Jamaica Star] Family members of legendary reggae/rocksteady singer, Alton Ellis, say the singer, who has been battling cancer for several months, is not doing well.

Speaking with The Star last night from the United Kingdom, Clive Ellis, one of Alton's sons, revealed that the family was not very optimistic as it relates to Alton surviving the fight with the disease. "We can't say we are hoping for the best in this situation. The family is looking for the worst," Clive said regretfully. "He is gasping for air. He is not talking, he is not moving, I don't think he is going to come out on top of this fight." Clive said the family was still trying to keep strong in these difficult times.

He said his father has been in the hospital for a number of weeks, battling lymphatic cancer. Rumours started circulating yesterday that Alton Ellis had died. However, family members dispelled the gossip. Clive noted: "He (Alton) isn't gone, he is still here. I'm actually in the hospital now, he is very weak, but he is not gone (dead)."

Alton Ellis, a father of 15 children, came to the fore of Jamaican music in the 1950s and has since made his mark with hits such as Cry Tough and Girl I've Got A Date among others.

The vocalist's first wife, Pearl, and his sister, Hortense, both died on October 19, in 2005 and 2000, respectively.

Tragedy also struck the Ellis family earlier this year when Alton's sister, Veronica Ellis, was brutally murdered just before Mother's Day, along with her teenage grandson.

::: METHOD MAN & REDMAN LIVE IN MONTREAL ON SEPTEMBER 28th ::

'STILL HIGH' CONCERT TAKING PLACE AT METROPOLIS

The legendary duo of Method Man and Redman team up once again for this much anticipated concert. The 'Still High' tour touches down in Montreal on Sunday, September 28th at the Metropolis in Montreal. This is an All-Ages Event.

Individually, both Rappers are Hip Hop Superstars. Method Man is a founding member of the Wu-Tang Clan, arguably the most influential group in rap. He has also won a Grammy for the duet "I'll Be There for You/You're all I Need" with Mary J. Blige. Redman has released six solo albums and is a member of the Def Squad. He has also collaborated with many of music's top stars, from KRS-One to Christina Aguilera.

But it is together that 'Method & Red' are best known. Both accomplished actors, they starred in the movie 'How High', a cult favorite. A sequel is currently in development. They even had their own sitcom on Fox. As a duo, they have released two albums ('Blackout!' and 'How High') plus numerous singles and collaborations.

But it is their live shows that are legendary; from the 'Hard Knock Life Tour' in 1999 to the 'Rock the Bells' festival this summer. The 'Still High' tour allows people to see the duo in an intimate setting rather than in an arena or stadium.

Accompanying Method Man and Redman on stage will be some of Montreal's top Hip Hop acts; L'authentik Payzan, Sans Pression, Magnum 357, Shamik & Unkle $am. Music will be provided by DJ Payce and will be hosted by Keith Dean from Hits 94.7

Metropolis is located at 59 Ste-Catherine E., corner St-Laurent. Metro Saint-Laurent. Doors open at 6:30pm. Showtime at 9:00pm. Advance tickets are $44.45 (plus service charges), available at all Ticketpro outlets (ticketpro.ca), Off The Hook and City Styles.

This concert is presented by Boodang, Stillkids, Substance, Escape Entertainment and Dreamskai.

::: U GOT JOKES! LIVE COMEDY IN MONTREAL :::

Montreal, September 12, 2008 - From the guys that brought you Tony Woods, Rob Stapleton, Nikki Carr and Michael Blackson – just to name a few – comes a new lineup of hilarious stand-up artists.

On Saturday, October 18th 2008 at Salle Jean Grimaldi, Wyland & Friends present to you “U Got Jokes”. This one of a kind show will feature such notable talents as A.G White, Brooklyn Mike, Marshall Brandon, Cory Fernandez and special guest, Jay Pharaoh!! You may have seen these comedians doing their thing on BET Comic View, Comedy Central as well as on the Bad Boys of comedy. This is your chance to see them live!!!

This is an event you definitely do not want to miss! Only one night… Only one show… Only 800 seats… Please note that there will be assigned seating this time around, therefore, in order to get the best seats make sure you get your tickets now! Advanced tickets can be purchased at various locations. Join the MontrealDancehall.com crew live on Saturday October 18 for "U GOT JOKES!" Hope to see you there!!

For tickets and information contact Larry Wyland at 514.262.2738

::: SO YOU THINK YOU CAN DANCE MONTREAL? BIG BANG STYLE! :::

The year 2008 has been a great year when talking about dancing, with many TV shows hitting the air waves & your living room such as America best dance crews - dancing with the stars - So you think you can dance & many more… Well Montreal we are bringing it to you here in Montreal on Saturday September 20, 2008, it’s the Biggest all ages & family show to hit Montreal for the beginning of the school year. It’s THE MONTREAL 2008 BIG BANG DANCE COMPETITION and we are back in full force. The Montreal Big Bang Dance Competition is a non-profitable event which is to help the youths & the teenagers within the Montreal & greater Canada area to showcase their individual talents.

The show will be an All Ages dance competition for both high school students & young teenagers within the greater Canada cities who are trying to achieve their dreams. The competition is called ''THE MONTREAL BIG BANG DANCE COMPETITION'' which is not only a dance showcase, we will also be featuring opening local acts such as (singers - poets - comedians - local Fashion designers such as live performance by Montreal's top artists :::KING MUGZ - F.R.O.S.T - CHAD ASHE & WITH CANADA's RnB WIFEY :: LEILA also a Mini fashion show By The 160 DISTRICT( I LOVE HATERS CLOTHING LINE ). Music By: DJ Keith Dean and Nemesis Soundz, hosted by Don Smooth from K103 FM Radio & Co-Hosted by Keith Dean from HITS 94.7 fm Radio. Our goal for this event is growth & scholarships, to help the parents & the young youths of today so that they can follow their future towards a non-violence & drugs free but a positive lifestyle. The Montreal Big Bang Dance Competition was founded & created in 2007 by a young Montreal promoter by the name of Ledon Anthony other wise known as Anthony G . His goal is to present a non violent event of entertainment for both the youths as well as adults. After seeing shows on TV like '' So You Think You Can Dance - America Got talent - Dancing With The Stars - American Idol & much more, he figured it was time to introduce his idea to the Montreal people & within the rest of the Canada cities, but after 5 months of hard promoting & recruiting volunteer staffs & registering 13 dance groups within Montreal - Ottawa - Quebec City & Toronto the event had a huge downfall by it being cancel by the club owners the same day the event was scheduled to be held without any serious explanation & ever since that date of September 22nd, 2007 the struggle was on to find that perfect location.

Nevertheless after a year later we are back in full force and is proud to announce the return of one of Montreal most talked about event, which is THE MONTREAL BIG BANG DANCE COMPETITION & for 2008 we are well & much more organize & will ensure you a location with class & flair . THE MONTREAL BIG BANG DANCE COMPETITION is dated to take place on SATURDAY SEPTEMBER 20th, 2008, inside one of Montreal's most luxurious theater in the heart of downtown Montreal ,with room for over 700 people seated , which is THE UQAM THEATRE - SALLE MARIE-GÉRIN-LAJOIE UQAM: 405 Ste-Catherine street East, Local J-M400 (Metro Berrie Uqam level) . So we are looking forward to seeing you & the rest of the family members to be apart of this wonderful event!

BUY YOUR TICKETS NOW CAUSE THIS EVENT IS GUARANTEED TO SELL OUT !

TICKETS ARE ONLY $15 & $20 IN ADVANCE
If you still has your tickets from last year show, then you may use them for this show ..

AUTHORIZED TICKET OUTLETS :::

- CITY STYLES ::: DOWNTOWN ::: (514)-499-9114
- DOREENS ::: CDN & NDG ::: (514)-737-6862
- TRIPLE AAA RECORDS ::: CDN & NDG ::: (514)-344-5353
- PRINCESSA ::: VILLE LA SALLE ::: (514)-595-4894
- CAPSULE SPORTIVE ::: IN FAIRVIEW ::: LA SALLE MALL

**** THE OFFICIAL AFTER PARTY @ SHINE - THE LOUNGE ****
3785 Boulevard St-Laurent
Downtown - Montréal, QC

INFOLINE PLEASE CALL ::: (514) 806-6593

*Written by Ledon John a.k.a. Anthony G

::: IRIE JAMBOREE PULLS BUMPER CROWD AS COCOA TEA, YELLOW, BEENIE MAN, ELEPHANT MAN, TARRUS SHINES :::

September 5, 2008

New York: Over 36,000 fun loving reggae lovers, some coming from as far as England, Canada, Jamaica, Dominica and even Japan jammed the Roy Wikins Park not only to rock to Cocoa Tea, Mavado, Beenieman, Elephant Man, Yellowman, Tarrus Riley, Sizzla, Admiral Bailey and others but also to celebrate the Caribbean's performance at the Beijing Olympics. Large video screens recreated the Beijing experience of the record runs by Usain 'Lighting' Bolt, Shelly Ann Frazier and Melaine Walker and the crowds went wild. Representing our athletes were Aleen Bailey, Chelsea Hammond and Bert Cameron who were present earlier in the day at the ribbon cutting ceremony at the Media/VIP Tent to officially honor Usain 'Lighting' Bolt and Veronica Campbell-Brown.

At about 9pm, when the MC announced that Mavado would grace the stage at Roy Wilkins Park, this signaled that the 1 year hiatus had finally been over. It was now up to Mavado to deliver for his fans stateside. Flags waved and flashing lighters greeted the gangster from Jamaica's Cassava Piece community as he made his way on stage and he immediately launched into his catalog of hit songs including "Gully Side", "Gangster For Life" and "On The Go (Faster Than Bullet). While his hard core fans would say he was awesome, overall his performance lacked the showmanship that would set him apart from his peers. It was probably the 'bag a long talking' that took the edge off his set. He clearly has the crowd appeal and the hit songs to boot. He just needs to work on his on stage presentation to make his set more effective.

The Doctor who was coming of an impressive European tour pranced on stage and immediately had the crowd in a tissy as he went through his catalogue of hits songs. The crowd lapped up ever word he said for the duration of his set. Elephant Man, who came dressed in a USA and Jamaica Flag charmed his way into the hearts of dancehall lovers with tracks like "Gully Greppa," "Signal The Plane" and the popular "Nuh Linga" which he dedicated to Olympic Superstar Usain 'Lighting" Bolt.

Pictures courtesy of Gary (King Ashanty) Representative of MontrealDancehall.com in New York

The top performer of the day however belonged to 'sweet, sweet' Cocoa Tea who reeked havoc as he glided through his catalog of hits songs including "Rocking Dolly," "Riker's Island," "I Lost My Sonia," "Good Life" and more. He captivated the crowd with every track he delivered including 'Obama' - dedicated to Illinois Senator and Democratic Presidential candidate, Barack Obama - which brought thunders applauds from the young, middle age and the elders in the park.

Sizzla kept the vibes flowing with "Black Woman and Child," "Taking Over" and "Rise Too The Occasion," while King Yellowman, proved he can still command the stage, delivering classic hits like "I'm Getting Married in the Morning," "Nobody Move," "Nobody Get Hurt," "Zungu Zungu Zeng" and "Mad Over Me that left fans in a frenzy.

New singing sensation Tarrus Riley was another top performer, engaging the crowd with John Legend's, "Stay With You," and song of the year "She's Royal" that brought the crowd to its feet.

Impressive performances were also delivered by Hero, who charmed the crowd with "The Prayer." Konshens, was on point, RDX, DeMarco, Noddy Virtue, Dwayne Stephens and Soca Queen Alison Alison all left fans begging for more. Canadian Reggae singer Tanya Mullings charmed her new fans with her talent and suave and based on her performance at Jamboree, was able to secure at least two upcoming gigs. New York based reggae singer Elvis D had fans rocking and grooving with his big hit Party Time that has been burning up the airwaves all summer. Ragga Lox, Benny Bwoy and Empire Isis all had their moments in the spotlight.

The event, dedicated to Caribbean athletes in the recent Beijing Olympics, climaxed with a video presentation that recreated the Beijing experience of the world record runs by Usain Bolt, Shelly Ann Frazier and Melaine Walker. In attendance and representing our athletes were Aleen Bailey, Chelsea Hammond and Bert Cameron. Other celebrity guests who attended the event were Congress Woman Yvette Clarke and her mother the Hon. Una Clarke; dj Capleton; former West Indies cricketer Courtney Walsh; Kerri-Ann Wright, Miss Jamaica/USA 2008; Val Cuffe and Sobers Esprit, executives of the Dominica Festival Commission who travelled all the way from Dominica to attend the event. Much respect to Richie B from Hot 102 FM in Jamaica, Robba Ranx from BBC 1 Xtra from out of London, England; Mikey B from WAVZ 1170 AM Florida, Marlon Davis from Digicel, Carrie Mullings, Sir B, from CHRY, 105.5FM in Toronto, Lexy Brooks, VIP Entertainment Connected and the many, many other guests in the house.

With the successful staging of Irie Jamboree 2008 behind them, the organizers have already started plans for Irie Jamboree 2009. What can they do to top 2008? No one is sure what will be done however word on the street is that the event will moving to a new, more secure venue that can accommodate the large crowd expected in 2009.

::: D-LIFE HEADLINES FIREMANIA FETE PART IV ::

August 5, 2008

Born in Trinidad, Brooklyn-resident and New York’s Hot 97 (WQHT) personality Dlife is the ranking diplomat for the emerging Soca movement. Soca (or “Soul of Calypso”) is the most popular music in English-speaking Caribbean islands like Barbados, Trinidad & Tobago, and St.Vincent. It forms the theme music to the huge and celebratory “Carnivals” that occur in each country and now occur in 25 major cities across the world.

However, before Dlife joined forces with legendary reggae selectors Bobby Konders and Jabba of Massive B, there were no DJs in the United States dedicated to giving Soca any commercial airtime. “I remember sending CDs of mixes to stations, only to be told they didn’t want a Soca DJ. At that time the carnivals and pirate stations provided the outlet for the people to hear the music.”

Now, through his one-hour slot in the Massive B “On The Reggae Tip” program every Sunday on Hot 97, Dlife can reach millions of people and serves as the lightning rod for the Soca community.
Many credit him with breaking hit records like “Turn Me On,” “Soul on Fire” and “Nookie” that provided Kevin Lyttle, Rupee and Jamesy P. with major record deals. More recently, Dlife supported Alison Hinds’ “Roll It” record, which has now entered daytime rotation at Hot 97.
However Dlife has not forgotten his roots. He is still featured on pirate stations 95.9 Wah Gwan Radio in Brooklyn and Mixx96 in Miami (along with DJ Khaled), and performs weekly in Soca hotbeds like Jamaica, Queens and Flatbush, Brooklyn

“Soca is entering a new stage,” says Dlife. “It has the potential to be the English-language reggaeton and to fill a niche left by the hardcore nature of dancehall reggae. I’m excited to be involved with a music that has the power to transform American culture.”

Check out D-LIFE live in Montreal on Saturday September 27, 2008 for Firemania Fete Part IV. This event will take place at the Ultimate Spot, E.B. Club Lounge located at 5345 De Maisonneuve St. West in Montreal. Tickets in stores mid-August. More information coming soon. This event is brought to you by MAWGA K Promotions in association with the Caribbean Student's Society of McGill University.

::: COCO TEA, TARRUS RILEY FIRST ACTS CONFIRMED FOR NORTH AMERICA'S PREMIER REGGAE FESTIVAL ::

July 29, 2008

New York: Reggae singer Calvin Scott, aka Coco Tea, who endorsed USA, Illinois Senator and Democratic Presidential candidate, Barack Obama with a powerful song titled, Barack Obama, is the first artiste confirmed for North America's premier reggae festival Irie Jamboree, which takes place on Labor Day Sunday, August 31, 2008 inside Roy Wilkins Park in Queens, NY.

Coco Tea is now enjoying a major resurgence in his career on the international scene with the song that has garnered air play on radio stations around the globe and was featured on CNN, The New York Times, Washington Post and The Associated Press. The is not Coco Tea's first crack at an international issue, as his strident anti-Gulf War commentaries "Oil Ting" and "No Blood for Oil" were banned on radio in Jamaica and the U.K but garnered popularity with reggae fans globally. The talented singer who was born in the fishing village of Rocky Point, Clarendon, has recorded a series of hit singles including "Rocking Dolly," "Riker's Island," "I Lost My Sonia," "Informer," "Can't Stop Cocoa Tea and "Good Life."

Award winning reggae singer Tarrus Riley, who walked away with awards for 'Singer of the Year' and 'Song of The Year' at the IRAWMA in New York, the Excellence in Music & Entertainment and The Irie FM Awards in Jamaica is also confirmed for Irie Jamboree. The singer recently signed a lucrative endorsement deal which makes him the face of Ocean Spray Cranberry Juice in Jamaica. He will be making his first appears at a major outdoor park event in New York area and fans are excited.

"He is extremely popular in this market right now so selecting him was a no brainer" Steven 'Yello' Williams, one of the principal of Irie Jamboree disclosed.

"We are extremely proud to have him as one of our headline performers and fans are just as eager to see him perform here in the Big Apple" Williams noted.

Tarrus is a singer of superb talent who has taken the reggae world by storm. His music is about love, it is spiritual and it is danceable. On stage he is electrifying and extremely entertaining. His new album Parable, is a potpourri of musical progressions, melodies and soulful ballads. Stands out tracks include his cover version of John Legend's, "Stay With You," the monster hit "She's Royal" and "Lion Paw."

When asked who are some of the other acts that could grace the stage at Irie Jamboree 2k8, Williams disclosed that the production team was in discussions with a number of top acts including Sizzla and a popular R&B group that could be announced soon.

Last year's Jamboree attracted well over 30,000 music lovers who enjoyed performances from Stephen Marley, Beenie Man, Luciano, Morgan Heritage, Jr. Gong, Lady Saw, Mr Vegas, Anthony B, Tony Matterhorn, Munga, Macka Diamond, Etana, Da'Ville and others. With a track record of successful events, the promoters are leaving no stones unturned in their quest to make this year's event bigger and better than ever.

::: EARTHQUAKE SOUNDCREW ANNIVERSARY PART 10 - TICKETS IN STORES NOW ::

July 28, 2008

Montreal, QC (July 25, 2008) - Earthquake Soundcrew has announced that tickets are now available at all ticket outlets for the most anticipated weekend August 21st to August 24th in Ottawa & Montreal. The main event will be held on Friday August 22nd at the spacious Club Soda with the original member of The Diplomats: Jim Jones live in Montreal.

Joseph Guillermo Jones II better known by his stage name Jim Jones, is a rapper of Puerto Rican and Aruban descent. Jones is an original member of The Diplomats, also known as Dipset. He is Co-CEO of Diplomat Records and is director of A&R for Warner Music Group. He has recently set up his own record label called Byrd Gang Records, through Asylum Records and will be releasing albums by the late Stack Bundles and Max B.

In October 2007, Jim Jones signed a joint venture deal with Columbia Records and Jones Family Productions. He has recently set up his own record label called Byrd Gang Records, through Asylum Records and will be releasing albums by the late Stack Bundles and Max B.

It wasn't until his third album that he garnered breakout commercial success with his lead single, "We Fly High". This song reached the top of the Hot Rap Tracks Billboard Chart, and peaked at #5 on the Billboard Hot 100. The song's popularity spawned two official remixes, an "All-Star Remix" with appearances by T.I., Diddy, Jermaine Dupri and Young Dro, and a "Giants Remix", named after the New York Giants. Players like Michael Strahan and Plaxico Burress helped make the "Ballin!" dance move, showcased in the original video, as just throwing up a fake jump shot every time the ad-lib 'ballin' was stated in the song, a pop culture phenomenon, doing the dance move after big plays during a Monday Night Football game. The album, Hustler's P.O.M.E. (Product of My Environment) was certified gold.

TICKET OUTLETS

The first 100 tickets for this event are $25 and they are exclusively available at Fly Society (Downtown) and Triple AAA Records (Cote-des-neiges), $30 and $35 tickets are available and the following outlets:

• Triple AAA Records
6895 Victoria Avenue (514) 344-5353

• Princessa Beauty Supplies
1669 Dollard Avenue, Lasalle (514) 595-4894

• City Styles
1186 St-Catherine St. W. (514) 499-9114

• Laced-Up Fashions
10418-B Gouin W. West Island (514) 421-2252

• Exclusive Style
6714 Fielding Ave. NDG (514) 803-8764

• Fly Society
1118, St Catherine West (514) 510-5999

Earthquake Soundcrew Anniversary Part 10 is guaranteed to be one of the main event of the year with North America’s best talent and over three (3) days of non-stop entertainment. Visit their website at www.eqsoundcrew.com or contact (514) 919-9329 or (514) 928-2423

::: NEW-YORK'S FATAL ANGELS BIOGRAPHY ::

July 25, 2008

Founding member and Principle DJ, Fatal Isis hails from Trinidad & Tobago and created Fatal Angels in 2002. Fatal Dani represents for Barbados & Jamaica. With the official 2004 launch and in four years, Fatal Angels have shown the world that females have a rightful place behind the music. Fatal Angels host their own show on Big 95.1FM on Tuesdays from 6pm - 9pm. Dubbed Tasty Tuesdays, it has quickly become one of the most popular shows on the station. Fatal Isis and Fatal Dani have found a dynamic combo and enjoy dj'ing and mc'ing alongside each other.

In February, Fatal Angels signed on to ReggaePlanet.net to host their own radio show every Saturday from 3pm-5pm. Fatal Angels also travels the country to spin in clubs, for exclusive private events, Carnivals, and boat rides, with upcoming international engagements in Amsterdam, Fatal Isis’ home of Trinidad, and Fatal Dani Barbados.

Fatal Angels engage the listener in a world that merges Reggae, hip hop, and soca with dancehall, house, R&B, and East Indian music.

Their dynamic sound has played throughout New York City, Miami, Hawaii, Las Vegas, Tampa, Washington, D.C., Virginia, Canada and Trinidad. The Angels, dubbed “The Good People” hold down the hottest all-inclusive mas band every Miami Carnival.

Fatal Isis’ and Fatal Dani's love for art and music puts them where they are today. Fatal Angels aims to be the premiere female sound, un-categorized, inimitable, and relentless in this pursuit.

Check out Fatal Angels on Big 95.1FM on Tuesdays from 6-9pm. Email us at djfatalangels@yahoo.com

DOWNLOAD MONTREAL MIX HERE

::: TARRUS RILEY & DUANE STEPHENSON LIVE ::

July 25, 2008

The show you've all been waiting for has finally arrived; award winning reggae phenomenon TARRUS RILEY will perform LIVE at the MEDLEY, 1170 St. Denis, Montreal, on Friday, August 22nd, 2008 with his band and alongside DUANE STEPHENSON (songs like: Cottage in Negril, August Town, and Ghetto Pain) while directed and composed by the highly acclaimed DEAN FRASER, arguable one of reggae's best hornsmen and composers. Also performing live will be Montreal's best upcoming reggae band who stole the show at last week’s reggae fest’ down by the Old Port; INWORD BAND, as well as Canada's recent “Juno Award Winner” MIKEY DANGEROUS, and with music by Little Thunder Sound Crew and DJ Iceman; a show not to be missed!

About Tarrus Riley

Not even ten chariots with horses can stop this new Reggae voice on the scene…it’s not a novelty act, but one that is destined for legendary status. The singer who gave us “Larger than Life” and “Barber Chair” on his first album Challenges is back at it, and even better than before. His sophomore album Parables is suitably titled; each song is a lesson from the book of life, illustrating moral or religious lessons. Produced by the multi-faceted Dean Fraser, Parables boasts 14 original tracks out of 15 and includes the monster hits "She's Royal" and "Lion Paw."

Tarrus is a singer of superb talent who has taken the reggae world by storm. His music is about love, it is spiritual and it is danceable. On stage he is electrifying and extremely entertaining. His new album Parables is a potpourri of musical progressions, melodies and soulful ballads...

Get your tickets today by calling (514) 377-3473 or by emailing info@montrealdancehall.com

::: BERES HAMMOND RETURNS ::

July 18, 2008

Jamaican musical legend Beres Hammond will return to the United States and Canada from July 30th to September 7th for his highly anticipated tour, celebrating his upcoming VP album A MOMENT IN TIME. On the tour, fans can look forward to hear his timeless classics as well brand new material from his eagerly awaited album, set to be released September 2008.

Known to many as the originator of “Lover’s Rock” or the “Otis Redding of Reggae,” Beres Hammond has been writing, producing and pouring out his smoky-sweet voice over every kind of riddim track for over 3 decades. He has repeatedly sold out some of the country’s largest and most prestigious venues (Theatre at Madison Square Garden and Radio City Music Hall). He has paved the way for many musicians today and is a favorite of Wyclef Jean, Carl Thomas and Alicia Keys.

From his early days as the lead singer of the ‘70s funk-reggae infused band Zap Pow, Beres has consistently produced hits and number one singles. While newcomers today are searching for a breakthrough hit and old timers are plotting their comeback, Beres is a study in longevity. He released his first studio album, SOUL REGGAE in 1976 spawning the number one hit “One Step Ahead” and in 1985 the dancehall breakthrough “What One Dance Can Do” off his self entitled album. He has collaborated with Reggae’s elite—Marcia Griffiths and Buju Banton are virtually staples on any Beres tour—and has worked with legendary producers like Willie Lindo, Steely and Clevie, and Philip “Fattis” Burrell. In 1990, his album A LOVE AFFAIR from Donovan Germaine's Penthouse label raised his popularity to new heights. Cuts like “Tempted To Touch” and “Who Say” with Buju Banton are still huge in the dancehall today. During the ‘90s, Beres blazed a trail of modern classics for a variety of producers, from the strugglers' anthem “Putting Up Resistance” (Tappa) to lovers' laments like “Come Back Home” (Star Trail). In 2001, Beres brought us major hits like “They Gonna Talk” and “Rock Away” from his Grammy nominated album MUSIC IS LIFE. VP Records then released THE ULTIMATE COLLECTION: CAN’T STOP A MAN in 2003 to commemorate Hammond’s career, and in 2004 his latest album LOVE HAS NO BOUNDARIES, which features his familiar romantic ballads and mid-tempo dancehall grooves. Currently, Beres is putting the final touches on his long awaited VP release A MOMENT IN TIME.

WHEN: Thursday August 28, 2008. Doors open 9pm, showtime 10pm.

WHERE: Club Soda, 1223 St-Laurent, Downtown Montreal. Tickets available exclusively at Triple AAA; Princessa & Mango Bay.

::: MAVADO CHARGES DROPPED ::

June 10, 2008

Jamaica's Director of Public Prosecutions, Paula Llewellyn QC, this morning signed a letter stating that the Crown is not continuing criminal proceedings against David Brooks AKA Mavado. The letter was presented to the Gun Court and the matter against him dismissed.

Mavado has been de-processed and his finger print destroyed. Freed of all charges, Mavado is looking forward to continuing his positive rise in Jamaica and on the world stage. “We said from day one that we have all faith in the Jamaican justice system that Mavado will be vindicated in this matter,” Manager Julian Jones-Griffith. “Give thanks to God for bringing a brighter day,and to the legal team of Tom Taveres-Finson and Antoinette Haughton.

When Mavado’s US visa was cancelled & Canadian visa denied it was on the grounds that he had an ongoing case before the courts. As this matter is now cleared up we will be approaching the US Embassy & Canadian Embassy at the earliest opportunity to reapply for his work permits, once we have gathered all the necessary documentation from the courts etc.”

The charges arose out of an incident that took place in July of 2007.Statements were taken at that time and despite no new evidence emerging, Mavado was not arrested until March of 2008. He was charged with Illegal Possession of Firearm and Shooting with Intent but the Crown went on to decide that there was a lack of evidence against Mavado so they could not proceed with the trial and it collapsed in court.

Mavado is thankful this chapter is now closed and he can continue what he does best, making hits and connecting Jamaica.

Look out for his rescheduled Canadian tour coming soon...

::: MACKA DIAMOND SET TO PERFORM AT THE MADISON SQUARE GARDEN :::

March 25, 2008

In the words of the great Claude McKay, “the heights of great men reached and kept were not attained by sudden flight, but they while their companions slept, were toiling upward throughout the night.”

Mr. McKay may have said the heights of great men reached and kept, but in this day and age, women are toiling and achieving just as much as their male counterparts. One such lady is none other than the self proclaimed Money Goddess of the Dancehall, Macka Diamond. As recently as five years ago, few outside of Jamaica knew the instantly recognizable sound of the woman who is somewhat of a hero in the feminine circles for her bold declaration to Bun Him!!! Her biggest hit to date.

Macka Diamond has been in the business of Dancehall for years, going through changes so dramatic that they even affected a name change soon after the new millennium. A move which proved to be just what the doctor prescribed, because shortly after that, the sky became the limit, and it has been a steady uphill climb since.

Today it seems as if the saucy-
flavored dancehall star is everywhere, literally, blaring inescapably from radio, TV, shops, bars, nightclubs, Benzes, Lexus’s and Hummers.

Macka Diamond, who is an exceptional performer with the ability to capture new audiences everywhere she goes; an undeniable issue, seeing that she has mainstream radio, both locally and internationally, going crazy, with the release of her two latest singles, Laptop and Best Dress.’

Madison Square Garden (7th Ave. & 32nd St.), Radio City Music Hall (Ave. of the Americas & 50th St.), and the jumbotron in the middle of Times Square (42nd St.), will come alive on the 28th of March, when the stage will erupt into a frenzy with performances from the likes of Machel Montano, Patrice Roberts. Kat Deluna, Wyclef Jean, Pit Bull, David Rudder, Mighty Sparrow, Problem Child and Macka Diamond herself.

“Madison Square Garden, New York City, what can I say,” says an excited Macka, with an ear to ear smile, who has now gone down in the history books as one of the few Jamaican artiste, such as Marcia Griffiths, Buju Banton and Shaggy, just to name a few, to grace the stage of such a prestigious and coveted venue. The night is poised to be like no other, with representation from most of Soca’s A listers.

With an appealing rhythm derived from the Jamaica’s “dancehall” genre, and topped off by frequently raunchy lyrics under the pulsating waist moving beats, and aimed directly at an exploding demographic – it is clear as to why Macka Diamond is so confident and ready to take the world like a bull by the horns, because after a successful tour of Trinidad, and getting requested for Madison Square Garden, the only question that’s left to be asked is, what’s next for the Diamond Girl?

::: TEK WEH YUHSELF - THE REMIX :::

January 2008

Kingston, Jamaica -- January 2008 – “Tek Weh YuhSelf,” the anthem that created a frenzy in the Dancehalls, is back with a vengeance. This time around, the unconquerable Mr. Vegas has joined forces with Hip Hop Queen Lil’ Kim and Latin singing sensation Kat Deluna to unleash the song’s fiery remix “Tek Weh Yuhself Again.”

The remix has been transformed into a multicultural fusion of hip hop, soca, and dancehall, with a dash of Spanish flavor. “Incorporating the eclectic musical styles of Lil’ Kim and Kat Deluna yields a perfect blend,” Mr. Vegas said with enthusiasm. “Their strong presence makes this remix a perfect cross over hit --destined to rock the dance floor and the music industry on a whole.”

The collaboration came about through the initiative of Mr. Cee of New York’s famed Hot 97 radio station. Both international recording artistes Kim and Kat were extremely excited to work on the project, passionately adding extra verses that they thought would bring the ‘fire.’

Kat Deluna is no stranger to collaborating with Dancehall artists, as she teamed up with Elephant Man in 2007 to create her hit single “Whine Up.” The song ultimately reached #1 on the Billboard Hot Dance Club Play Chart. Hip Hop veteran Lil’ Kim has also been a notable hit maker over the years and is an avid dancehall and reggae fan – often integrating their elements into her music.

Everyone on Mr. Vegas’ team is thrilled about the remix and its possibilities. “The remix is catchy and comes with a whole heap of vibes,” added Vegas.

“Tek Weh Yuhself Again,” which was recorded in New York, has already experienced some buzz and will soon be heard on airwaves throughout the Caribbean and U.S. A music video for the sizzlin’ track is in the works and should be released in early 2008.

The single “Hot Wuk,” from Mr. Vegas’ latest album Hot It Up, gained tremendous international airplay, reaching as far as #58 on the Hot R&B/Hip Hop Songs Billboard Chart. There is no do doubt that this remix will exceed expectations.

LISTEN TODAY!

www.myspace.com/mrvegas

::: I WAYNE BOOK OF LIFE :::

October 31, 2007

Roots and culture artists have long been a constant in Jamaica, from the influence of legends like Bob Marley to conscious dancehall singers like Garnet Silk. However, in the summer of 2004 a new and powerfully distinct voice emerged on the reggae music scene. With a fresh timbre, substantive lyrics, and a passionate performance, this singer almost single handedly led a new wave of roots and culture reggae music that swept the island of Jamaica. I Wayne, born Cliffroy Taylor in the working class Kingston suburb of Portmore, Jamaica, officially hit the international scene with his #1 hit “Can’t Satisfy Her,” the first track by a cultural reggae artist to be added to Hot 97 in New York, a station noted for its hip hop preference. The tune then caught on in several markets and spent over 22 weeks on the Billboard Hip Hop/R&B Hot 100 chart.

I Wayne followed up that firey description of a desperate Jamaican reality comprised of prostitution, poverty, and sexually transmitted diseases with “Living in Love” on the Stephen Gibbs and Errol Thompson-produced Hard Times riddim (VP2272). It may seem as if I Wayne suddenly burst onto the scene, but the 28 year old has been refining his craft since age 7. Coming from a musical family, it’s not surprising that I Wayne’s first performance venture with local group Vibes Machine took place when he was a student at Greater Portmore High School. The collective of singers and DJs performed at afterwork parties held at popular Kingston clubs like Cactus and Asylum, until one night, when his bandmates were late, and I Wayne was forced to take the stage alone. The response was tremendous, so he perfected his solo act, incorporating his keen appreciation for singers like Sade, Bob Marley, Dennis Brown, Marcia Griffiths, Beres Hammond, and Sizzla Kalonji, into his developing style and honing his craft by chanting DJ style with local sound systems like Diamond Cruise and The Legend, as well as performing at Garveymeade, an annual Portmore event held on December 24th for the past 10 years. His distinctively fluid yet controlled vocals won him a record deal with VP Records in 2004, and his debut album, “Lava Ground,” hit stores in the summer of 2005. It yielded two hit singles, “Can’t Satisfy Her” and “Living in Love,” as well as the critically praised title track. Slipping and sliding through the higher notes of the scales with a jazz singer’s assurance and a reggae chanter’s rough-riding rhythmic sensibilities, I Wayne’s meteroic rise and his lyrical gift for piercing the veils that cloak Babylonian hypocrisies sparked a new wave of enthusiasm among the industry for this young generation of roots and culture singers and songwriters and eager anticipation for his second set, The Book of Life (releasing November 6). This time around, a set of spare, light-as-air roots instrumentals, produced by the finest of Jamaica’s young mixing board talents, provides an elegant showcase for I Wayne’s even more dazzling singing/chanting, richer melodies, and more penetrating lyrics. Says Neil Edwards, the project’s executive producer, “For the past year, a lot of artists have been glorifying death and destruction, so I Wayne flipped that and focused on life.” Where many are didactic and full of condemnation, this time around, I Wayne simply wants to remind listeners of an essential truth—that life is a gift for which we can be grateful. “I just praise life, just deal with it naturally,” says I Wayne. “There’s nothing wrong with praising the sun, moon and stars and the wind, and all that create balance. Life is love and love is life.”

The philosophy may seem simple yet “Life’s” topical range—I Wayne’s detailing of where natural balance has been lost—is typically far-reaching and deep. He covers domestic violence in “Jealousy and Abuse” (featuring the great Lady G); male and female intimacy in “Need Her in I Arms”; and worldwide divisions and anarchy in “Politics and Religion.”

::: JUSTICE FOR LUCKY DUBE :::

October 29, 2007

The murder last week of South African reggae singer Lucky Dube has saddened and shocked many Jamaicans who had come to know and appreciate his music and its message of peace and goodwill. Indeed, it is ironic that someone who sought, through his art, to promote the ideal of a world without violent conflict was cut down in such a brutal and callous manner.

Lucky Dube, news reports tell us, was shot dead by carjackers last Thursday night in front of his son and daughter, aged 15 and 16 respectively, when he dropped them off at their uncle's home in Rosettenville, a suburb in southern Johannesburg. News of his murder has triggered outrage in the entertainment industry, and particularly in countries where Mr. Dube performed, including Jamaica. Dube drew inspiration from our very own Peter Tosh, who himself was murdered by gunmen at his home in Barbican, St Andrew in September 1987.At that time, people the world over expressed shock and outrage at Peter Tosh's murder, which stained Jamaica's image and highlighted our nagging problem of crime. Much the same has now happened to South Africa, as the international media have focused their attention on what some have termed the "ever-worsening" crime situation gripping that African nation. Indeed, President Thabo Mbeki's Government has come under fresh attacks from critics who accuse the administration of failing to fulfill its promise to bring crime under control. Even the Congress of South African Trade Unions (Cosatu), a traditionally strong ally of the ruling African National Congress (ANC), is reported to have said that it was appalled and outraged at Lucky Dube's murder and called on the Government for solutions to crime. It's no easy task, as South Africa, with its population of 47.9 million people, has just under 20,000 murders per year, according to statistics from the South African Police Service. That's just over 50 murders a day - a frightening prospect for any investor and enough to make business owners and law-abiding South Africans concerned.

That scenario is one to which Jamaica can relate, as we struggle with our own very high crime rate and the disincentive that it presents to potential investors. But societies that wish to improve their standard of living cannot yield to the few mindless barbarians who are intent on sowing mayhem at will. For giving in to thugs would open the floodgates for lawlessness and the ultimate breakdown of society. We are not here suggesting that President Mbeki should become a despot like his neighbor, President Robert Mugabe in Zimbabwe, and start cracking skulls. Mr. Mbeki, even as he confronts his own problem of an approval rating slump, needs to help shape the kind of South Africa that will be safe for its people and their guests; the kind of South Africa that will produce more citizens of the like of Mr. Lucky Dube who, though born poor, did not end up living a life of crime. The same can easily be said of the Jamaican Government who, while still fresh in office, needs to move quickly to address the grave social and economic problems we face in this country. Police said Sunday they have arrested five men in connection with the killing of the reggae star.

::: TARRUS RILEY THE PARABLES :::

October 25, 2007

Not even ten chariots with horses can stop this new Reggae voice on the scene… no, its not a novelty act, but one that is destined for legendary status. A ‘natural’ man of superb talent has risen like a Phoenix…some would say, its Jah will. Coming from the combination of a Nurse and a Singer, “healing music” is how he appropriately describes his music. Tarrus Riley has thrown his hat in the race, with a no-doubt approach that says, “I’m here to stay”.

The singer who gave us “Larger than Life” and “Barber Chair” on his first album Challenges on the Yaman Label, is back at it, and even better than before. His sophomore album Parables, is currently being distributed by VP records. Parables…’a simple story illustrating a moral or religious lesson’. The album is suitably titled, as each song is a lesson from the book of life. Boasting 14 original tracks out of 15, produced by the multi-faceted Dean Fraser, Parables is a respectable achievement for this young artiste.

His mother, Lavern, has been a strong supporter of his music from day one. He was originally produced by his father, Singer Jimmy Riley, on his label ‘Love & Promotion’. Tarrus also gained experience from Heavy Beat and Main Street, while teaching himself how to play the keyboard and percussion instruments…Kette, Congo and Bongo. He views his cooking similar to his music. He says every man seasons his pot different, and for him, each instrument that makes up a song, is the same as each seasoning that makes up the pot. No wonder Tarrus’ music is always a potpourri of musical progressions, melodies and not to mention the soulful voice that he has become known for.

The Title track, Parables written by Tarrus on Max Romeo’s Three Blind Mice rhythm, cautions us to ‘read between the lines’. Tarrus said its the first he has ever done a cover version of someone else’s song, John Legend’s, “Stay With You”. This song will prove to be one of the perpetual classics from Tarrus Riley. “She’s Royal” is the kind of song that creeps up on you, with an excellent arrangement. The anthemic “Lion Paw” offers a stamp of approval, with rhythm. And then Della Manley helps to bring us home to “Family”, a real groove-finder capped off by a melodious chorus. Sold!
Tarrus Riley, young, gifted and Bold!

Look out for TARRUS RILEY live in concert at E.B. Club Lounge on Friday November 30th, 2007.

::: ALISON HINDS "QUEEN OF SOCA" :::

September 11, 2007

Overview on the Queen of Soca

Ask SOCA superstar ALISON HINDS what she wants her music to convey and she replies, “More than anything, I’m hoping to expose the world to my music and for people to really appreciate and say yes to it. It’s infectious, and happy but can still say something and touch lives. SOCA is what I’m known for, so I want the music to represent who I am.” The intoxicating musical movement known as SOCA (popular dance music of the SOuthern CAribbean) is rapidly gaining popularity among music lovers around the globe.

It is a sexy and uplifting music known for its infectious rhythms and spirited spicy lyrics that inspires jubilant audience participation albeit with waving hands and flags to swaying hips, all in a ritualistic celebration that exemplifies life today in the Caribbean. ALISON HINDS is poised to become a major force in the eruption of innovative urban-influenced Caribbean-based artists such as fellow-Bajan popstar Rihanna, Sean Paul, or Shaggy, who are changing the face of music worldwide. Crowned the undisputed “Queen of SOCA” by fans worldwide, her powerful, emotional vocals and high-energy live shows are legendary to Caribbean music fans. So it’s fitting that ALISON’s much anticipated solo debut is entitled SOCA QUEEN. Featuring production from heavyweights like Salaam Remi (Nas, Fugees, Amy Winehouse), SOCA QUEEN is the album Alison was born to make. Offers ALISON,” I see myself as a modern singer. So many genres of music influenced me and my cd reflects that eclecticism.” With its mix of high energy to mid tempo and a soulful ballad “Island Girl”, SOCA QUEEN is an opportunity for ALISON to expand SOCA’s boundaries.

Among SOCA QUEEN’s standout tracks is "Roll It Gal". An energetic dance track as well as an empowering girl power anthem, “Roll It Gal” shot to the top of the charts in Barbados, Trinidad, Jamaica and throughout the Caribbean almost instantly upon its initial release in ‘05, “When I heard the demo I said this is it. It was meant to be; I recorded it in one take! It connected like no other song I’d done before.” The message? “I’m telling women to take pride in themselves, don’t take any abuse, look after your kids, do your studies, believe in yourself and look to God. So many women have told me that the song lifts them up.” Along with “Roll It Gal”, ALISON reinterprets some of her previous hits including the pro female jump up “Ladies Rule”, originally recorded with ALISON’s own band and “Togetherness”, an upbeat party anthem that Alison describes as “very happy and light”. Additionally, SOCA QUEEN contains banging new songs, among them the Salaam Remi produced “The Show” and “The More You Get”, which ALISON says is “very modern and for the girls. “I’m letting them know that on or off the dance floor we can tell the guys what to do. It’s one of my favorites, and working with Salaam was great, because he’s so versatile and laid back”.

Come meet and greet Alison Hinds live in Montreal on Saturday September 29, 2007. Listen to CKUT 90.3FM and K103.7FM Radio for more information coming soon. Don't forget to pick up a copy of her new CD entitled: "Queen of Soca" on October 2nd!

CLICK HERE TO LISTEN THE LIVE INTERVIEW WITH ALISON HINDS & JUNIOR (PRODUCTION SOUNDS) AND LISA J (RASETV)

CLICK HERE to view pictures from FIREMANIA FETE The Trilogy taken from Coperfella Soundcrew. Feel free to send your links and FIREMANIA Fete - The Trilogy pictures to info@montrealdancehall.com.

Footages hosted on youtube:
1- http://youtube.com/watch?v=BojntrrKDCk
2- http://youtube.com/watch?v=cG7vq5Qt0KE
3- http://youtube.com/watch?v=g8yx-h7U8fk

::: IRIE JAMBOREE CINCO - SUNDAY SEPTEMBER 2ND, 2007 :::

August, 2007

North America's Premier Reggae Festival

Producers of North America's premier reggae music festival Irie Jamboree 07 have confirmed that new singing sensation Da'Ville, Assassin, Munga Honorable and dj of the moment Mr. Vegas are among a grown list of dancehall stars booked to unleash their musical talent at the 5 th annual Irie Jamboree festival on Labor Day, Sunday, September 2, 2007 at Roy Wilkins Park in Queens, New York.

Singer Da'Ville still reeling for the success of his sophomore album "On My Mind" is expected to charm fans with his charisma and string of hit songs. The video for the remix of his lead single "On My Mind" featuring Sean Paul is a popular tune in the tri-state that has already started to enjoy crossover success. Other powerful tracks from the disc that fans will be eager to hear include "Can't Get Over You," "This Time I Promise" and "So I'll Wait For You" which was originally recorded by Freddy McGregor.

Mr. Vegas is currently at the top of his game, ruling the dancehall charts globally with hits like "Tek Weh Yuh Self," "Work It Out," "Lean With It" and "Hot Wuk" which are among the hottest songs in dancehall circles. In fact "Hot Wuk" is also enjoying heavy rotation on urban Hot 97 in New York .. Vegas made international headlines a few years ago with "Heads High" which graced the UK Top 20 charts and climbed to #75 on the Billboard, R&B Top 100 charts in the US. His debut album "Heads High" on Greensleeves Records was a huge success, achieving sales in excess of 50,000. "Hot Gal" done with Sean Paul in 1997 climbed to #6 on Billboard Hot Rap Singles Chart and was featured in the new movie "Shaft."

Dj of the moment Munga Honorable, described by fans as the most promising rising star out of Jamaica this year will make his New York debut at Irie Jamboree 07. Munga has ruled the local charts with popular hits like "Bad From Mi Born," "Wine Pon It," "Bad Like I," "Not At All," "I Came To Take My Place" and "Earthquake." He will perform alongside headliners Stephen Marley, Morgan Heritage, singer Luciano, Jovi Rockwell, Beenieman, Anthony B, Beenieman and the queen of the dancehall Lady Saw who are all confirmed for Irie Jamboree.

Last year's Jamboree festival with headliners Beres Hammond, Capleton, Buju Banton and Baby Cham attracted a record 25,000 patrons. The event earned bragging rights at the International Reggae & World Music Awards 07, copping the award for "Concert of the Year," beating out Reggae Sumfest ( Jamaica) and Welcome To Jamrock ( Jamaica).

::: BUJU BANTON RETURNS TO MONTREAL :::

July 24, 2007

ABOUT BUJU BANTON

Born Mark Anthony Myrie, better known to Reggae fans as Buju Banton, was born on July 15, 1973 in a slum near Kingston, called Salt Lane. Considered the Voice of Jamaica, Buju is not only a popular deejay and singer, but also a visionary producer and a successful entrepreneur who runs his own Aksum Recording Studio and Gargamel Productions.

Directly descending from the Maroons, a group of escaped slaves who proudly fought off the British colonialists, as a child he was nicknamed "Buju," which means breadfruit, a starchy round vegetable. Later, he adopted "Banton" in tribute to one of his earliest musical influences, Burro Banton.

Buju was raised together with other 14 children by a street vendor mother and a tile maker father. At the age of 13, after watching his favourite artists perform at outdoor shows and local dancehalls, he began toasting under the monicker of Gargamel. His first single, "The Ruler," was released in 1987 under the production of Robert French at Penthouse Studios.

In 1991 Buju met producer Dave Kelly and joined Donovan Germain's Penthouse Label. One year later, he hit the charts with the singles "Bogle" and "Love Me Browning/Love Black Woman," later included in his debut album "Mr. Mention," and broke the great Bob Marley's record for the greatest number of number one singles in a year.

In 1993, Banton released the hard-hitting "Voice of Jamaica." The album included a number of conscious tracks, such as "Deportees," a song which criticized those Jamaicans who went abroad but never sent money home, and the safe sex anthem "Willy Don't Be Silly."

1995`s "Till Shiloh," in which Buju used a studio band instead of synthesized music, was a very influential album and reflected his Rastafarian new beliefs. The album included a single called "Murderer," which condemned the violence in Jamaican dancehall music, and inspired several clubs to stop playing songs with excessively violent subject matter.

In 1997 his album "Inna Heights" was well-received but had distribution problems. Shortly after, Buju met the punk band Rancid and recorded with them the tracks "Misty Days" and "Life Won't Wait." Subsequently, Buju signed with Rancid's eclectic Anti, a subsidiary of Epitaph and released "Unchained Spirit" in 2000.

After a three-year break from album releases, Buju returned with "Friends for Life," which featured more sharply political songs, including the anti-gun song "Mr. Nine."

Unhappy with the support he was given at the major labels, Buju started his own label, Gargamel Music, and released the entirely self-produced "Rasta Got Soul" in 2005.

Look out for BUJU BANTON live in Montreal as he performs hit number 1 hit: "Driver" on Saturday July 28, 2007 at the CEGEP Andre-Laurendeau in Lasalle. Opening acts will be: New Kidz (Jamaica); G-Mack (Jamaica); Sampaloo; Kya Kindu and music will be supplied by Crystal Sound and Little Thunder. Get your advance tickets at most west indian outlets in Montreal.

::: EMPIRE ISIS :::

April 18, 2007

ABOUT EMPIRE ISIS

Born Once in a while a new musical talent emerges who defies all preconceived notions or ideas. These rare talents help to define popular culture and shape society at large. Nominated for "Most Promising Entertainer" at the 2005 International Reggae & World Music
Awards, ISIS is truly redefining Reggae music. Half Welsh half Moroccan but raised by a Ugandan stepfather who adopted her - Empire
ISIS, grew up in different places and continents such as: Canada, UK and Morocco. ISIS grew up with a genuine love of theater and a strong
social consciousness which would help her in the years to come. At the age 16, ISIS set off for South and Central America, bicycling through
7 countries from Panama to Mexico. Her adventures in Latin America ignited the spark that would forever change her; however, it was in the rolling hills of Jamaica that she truly found herself. While
filming a documentary about the BoBo Shanti (an isolated group of strict Rastafarians in the hills of Jamaica that gave birth to conscious dancehall pioneer, Sizzla) she realized being on stage and singing reggae was her calling. It was on this trip that ISIS first encountered foundation artists such as Chinna Smith and Dean Frazer, who schooled her on the history and making of reggae music. ISIS put aside her camera, and picked up the mic. She set out on her most challenging journey: making conscious dancehall music for the masses.

Dancehall, unofficially declared the music of the 21st century, is the platform from which ISIS speaks on every human experience from love, sex, and friendship, to ghetto life, politics and empowerment. Her first studio effort, Empress Gangstress, was recorded between New York and Tuff Gong Studios in Jamaica alongside co-producer Junior Keysland, Smith, Frazer, and other members of reggae artist Bushmans band. ISIS has painstakingly developed her sound and image while maintaining ownership of all her songs under her brothers record label Monumental Records. ISIS has performed before thousands across North America - opening for acts such as Capleton, Bounty Killa, Halfpint, Elephant Man, Gyptian, Mr. Easy, Bushman, Shabba Ranks, Cocoa Tea, Macka Diamond, I Wayne, and Tanya Stephens and many more. Empire ISIS brings a militant, passionate, and high energy type of reggae music which can be appreciate by all. From her unique look to her blazing lyrics, ISIS is a true provocateur challenging peoples perceptions, stereotypes and common modes of thinking. Ultimately, ISIS says, "I want to inspire people to follow their dreams, to do what they're here on earth for."

Log on to http://www.empireisis.com

::: COLLIE BUDDZ | COME AROUND :::

February 6, 2007

ABOUT COLLIE BUDDZ

Born in New Orleans, raised on the isle of Bermuda with intermittent stays in urban Toronto, Colin Harper is not an easy youth to pin down geographically. His musical alter ego Collie Buddz however, is one of the most firmly grounded voices you may ever encounter. Incorporating influences from hip-hop to soca, Collie’s music nevertheless has a rock-solid foundation in reggae - and its power to connect ghetto reality with the highest heights of human aspiration - that is a rarity even in Jamaica.

Born in 1981, at the dawn of the turbulent era signaled by the twin omens of Bob Marley’s passing and Ronald Reagan’s election, Collie was immersed in the sound system culture of Bermuda aka “The Rock” since the age of 6. “I used to come home from primary school and my brother would always be on the turntables, playin his new 45's an' I'd just be there vibesin'.” The evolution of dancehall and sound-clash culture into a movement of it’s own in the late 80s and early 90s set the backdrop for young Collie’s discovery of his own sonic identity, and the dancehall kings of that generation - Buju Banton, Bounty Killer and Beenie Man served as his primary influences. “Back when Beenie and Bounty used to war lyrically, seeing clashes wit’ Kilimanjaro an all the sound-man an’ everyt’ing…the whole music scene for me took on a new meaning. Clash thing an’ lyrical war became a part of my daily life from early out.”

The daily operation of trading lyrics in schoolyard clashes quickly gave way to more serious combat as “…people startin sayin ‘Ay, Buddz got some lyrics!’ From an early age, some of the local sounds on the island wanted to get me on dubplate,” says Collie, who stepped into the first of many vocal booths at age 16 to voice customized dubs for some Bermudian sounds. "Sounds was always trying to buss local artists in Bermuda.” Consistent encouragement from the various soundmen and engineers he encountered on those dub excursions led Collie to maintain a musical focus and eventually trek to Florida for a degree in audio engineering, a path that ended behind the boards of his own Bermudian studio, jointly run with his older brother (Smokey) and Sneek Success from one of Bermuda's founding sounds, 'Newclear Weapon'. Building riddims for other artists only expanded his love for writing and voicing his own lyrics however. “I used to make these beats an’ none of the tunes came out how I pictured an artist sittin’ on de riddim, so I decided to start to get in the booth myself again and spit some lyrics. Unless my brother engineerin’ for me, I’m runnin from the board to the booth, back to the board!” Like boot camp for a one-man army, that experience molded the signature vocal style that defines Collie Buddz - a songwriter who can lay his own riddim, sing the hook and chat on the verse. “I build de riddim first and while I’m building it I don’t try an’ think about lyrics ‘cause I'm tryin' to focus on the riddim, yunno? I make it sound as best I can and then for a day or two I rest my ears then start de writing process. I come up wif a melody firs’ and get that down, then start with the lyrics.” The skill with which he compartmentalizes multiple roles in the studio also extends to his easy movement between styles.

A falsetto that combines the singsong lover’s rock appeal of a carnival crooner like Rupee with the deeper emotional catch of Bob Marley or Sizzla, Collie’s voice sits with equal comfort over the jump-up pace of ragga-soca, 4/4 hip-hop beats or an achingly slow one drop. Most strikingly on tunes like “My Everything” he finds both the drive of dancehall and the bluesy edge of roots in a frenetic polyrhythm built around the Latin horns of David Bowie’s “Let’s Dance,” an up-tempo track that could be just as home in a Trinidad carnival as a UK discothèque. “Some tunes I create are just to show that I could do anything I put my mind to,” he explains “to show the versatility of my style.” For many artists such versatility can be a curse and only a select few can maintain a distinctive voice when so many styles come so easy. But on tracks like “Moving On,” the layers of competing influences seem less like contradictions and more like necessary stages in the development of a larger persona, something like the succession of roles from pimp, to preacher, to something like a revolutionary that formed Malcolm X. Instead of pulling the song apart, the warring elements are all somehow essential to a larger vision reflected in his lyrics: “Feel like me cyan move an’ trap in a cage / still searchin’ for the words to put ‘pon the page…” It’s that discovery of timeless roots even within the sweatiest dancehall track that marks the culmination of Collie’s growth.

“Nowadays when I go to put on a CD, its old tune: Alton Ellis, The Meditations, The Heptones, Skattalites, Jacob Miller, Eric Monty Morris; love the rockers music. From that I start to teach myself some of the history of this music, that’s where I started to come a little more versatile with the singin’…the foundation just straight reality, yunno. I like dancehall, but de foundation and conscious tune really what me love.”

COLLIE BUDDZ

"COLLIE BUDDZ" in stores JUNE 5th (new release date)
SONY

http://www.colliebuddz.com
http://www.myspace.com/colliebuddz

NEW! VIDEO: "Come Around"

http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull_56.asx
http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull_300.asx
http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull_450.asx
http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull.mov
http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull.ram
http://www.colliebuddz.com/videos/CollieBuddz_ComeAround_VidFull.swf

AUDIO: "Come Around"

http://www.sonymusic.com/clips/selection/fu/687064/687064_01_01_full_56.asx
http://www.sonymusic.com/clips/selection/fu/687064/687064_01_01_full_100.asx

::: CAN YOU HEAR THE SOUND? :::

January 22, 2007

An integral part of the music, sound systems are the lifeblood that pushes the vehicle of the music industry. More than just bringing the right vibe to a party, sound systems have propagated the spread of reggae and dancehall music.

Coppershot Disco for instance has played across the globe with Sean Paul in places such as Martinique, Luxembourg, Switzerland, Dubai, Canada and more.

"We play everywhere, which is music being spread out all over the place. A lot of sounds play overseas. When you go they want to know what's happening in Jamaica. We introduce them to the latest songs, they wanna know the dances, we introduce them to it," said Coppershot's Matthew Gray.

CLASH RECOGNITION

Damion Wong from Irish and Chin, the managers of Mighty Crown and other sound system, that numerous clash sounds travel as well. "Locally, the only 'jiggy sounds', no disrespect intended, that tour are Stone Love and Swatch International. Only clash sounds really get to tour because of the recognition they get from clashing. Clash sounds travel to places such as Japan, Sweden, France, Australia, New Zealand, Ghana, Italy and lots of other places," Damion said.

Scratchy B from Cash Money claims that their sound system has toured England, Canada and the United States. "We tour for our year to year events and actually have a date every three months at least."

Other than touring, local work helps to push the music farther. There are increasing number of sounds that keep street dances such as Weddy Weddy Wednesday (Stone Love), Passa Passa (Swatch International), Dutty Sundaze among others.

It is often at such dances that the latest songs are played to masses and the dancers create the accompanying moves. This aspect has become so important that according to Gray, Coppershot was approached by the World Cup Cricket team to play at a dance in Trench Town so that tourists can come to taste Jamaican music.

MUSIC PRODUCTION COMPANIES

Many sounds have even turned to opening their own music production companies. Gray says; "...a lot of sounds are building studios now, finding new artistes. Its easier for artistes to get 'buss' on a sound system than on radio." Damion agrees claiming "sound systems help to build the local music business because they are a medium through which artistes can really express themselves.

Most radio stations dilute the music they play and that dampens the vibes. Plus, there is also the other side to it where sound systems get the songs first and buss them before they start playing on radio. Sound systems are basically music ambassadors."

Scratchy B who has 'bussed' many artistes on their mixed CDs says "sound play a big thing when it come to bussing artiste because without the sound you won't hear about nuff artistes. Sound and mix CDs really buss the majority of artistes even before the radio stations. Sound systems play a very vital role."

But despite their efforts and importance to the industry, sound systems most often are not as recognised as the artistes who are at the forefront, but as the selectors say 'its just a part of the business'.

Source: The Jamaica Star

::: PRINCESS BUFFY: QUEEN OF SOCA... NOW CANADIAN DANCEHALL QUEEN :::

January 4, 2007

PRINCESS BUFFY LIVE IN TORONTO

Samantha Princess Thomas, born and grew up in Trinidad & Tobago, migrated to Montreal Canada in 1995, started dancing to Latin & salsa music one year after her arrival. This type of dancing is where she adopted and learned her unique skills.

She has come a long way from her very first Latin dance competition held in Miami in 2000 which after she created a dance group with her peers calling themselves ‘Get Mad Squad’ joining this group is where she was branded the name Princess Buffie, Princess being her middle name and Buffie a nickname given to her by her peers. Being in this group drawn her closer to her Trini roots and love for Soca, she first competed in Montreal at an annual Booty Jam Competition in the month of June 2006 and won, then she competed in July 2006 for the Soca Dancehall Queen Competition, where she became Montreal first Soca Dancehall Queen, being specialist in Soca dancing Montreal Soca Monarch Champion ‘Daddy Ghost’ toke her under his wing where she performed for him in nurmous local events gaining experience and love from soca fans. Being a youth who loved challenges she wanted to put Montreal on the map by going for the most recognize title known in Canada which is the Canadian Reggae Dancehall Queen Crown, which she did with ease in Toronto November 2006 making an example for upcoming dancers to follow her steps.

Princess Buffie is managed by KING LEVI, and since winning the Canadian competition she is also under the wings of HAWKEYE PROMOTIONS from Toronto.

For Bookings you can call: 450 699 7231, 514 602 0521 or powerlynx.entertainment@gmail.com

Production Sounds will like Montreal to also know that Samantha is a very down to earth, simple and warm hearted, achieving also these titles haven’t change her attitude towards her family, fans or fans as she said “I’m always Sam with or without these things Production but with these title I will try and make Montreal proud” her main goal is to become a dance instructor in the near future. Sam as I called her has a love for the youths and kids, not having any of her own she runs and maintain her own daycare center and consider herself a role model for upcoming youths.

For more pictures log on to www.hawkeyepromo.com

::: IAESHAA BIOGRAPHY :::

September 27, 2006

IAESHAA, AKA THE LITTLE PRINCESS WAS BORN IN ST LUCIA, A TINY EXOTIC ISLAND IN THE CARIBBEAN. SHE GREW UP SINGING IN THE CHURCH AND SCHOOL CHOIRS, FROM THE TENDER AGE OF 8. SHE WAS THE ONLY FEMALE IN THE BAND AT THAT TIME. SHE ALSO PERFORMED ON STAGE SHOWS AT SCHOOL ALL OVER THE ISLAND WITH THE CHOIRS OF BOTH PRIMARY AND SECONDARY LEVELS OF EDUCATION.

IAESHAA ANTOINE EVOLVED FROM A CULTURE UNIQUE IN ITS SELF, SEVEN TIMES BRITISH SEVEN TIMES FRENCH, DEVELOPING A LANGUAGE CALLED CREOLE. YET A DESCENDANT OF THE CARIBBEAN PEOPLES, HER SKIN COLOUR IS RICH AURBURNISH COPPER, ENFLAMING HER FIERY VOICE FROM WITHIN HERTHROAT.

INDEPENDENT AS OF SEVENTEEN THIS YOUNG LADY STRAYED TO THE GHETTOS OF THE CITY WHERE THE
DEATHS OF NUMEROUS FRIENDS FILLED HER LIVELYHOOD, CAUSING HER TO BE ANGRY. ANGRY AGAINST SOCIETY, THE PEOPLE AND THEIR MENTALITY, CRIME AND POVERTY, HATRED AND JEALOUSY.

THE CRY FOR DELIVERANCE ECHOED THROUGH THE GHETTO BUT NO ONE'S LISTENING NO ONE'S
HEARING. "I AM GONNA TELL THEM" SHE THOUGHT, SHE AROSE AND BEGUN TO TROD AND WRITING HER
STORIES SHE WAS ON A MISSION SHE MIMICKED THE WIND AND BEGUN TO SING ONE MORE TIME BUT THIS TIME TRUE STORIES OF HER LIFE AND EXPERIENCES, TRUE TALES AND PRAYERS AND HOPING FOR
DELIVERANCE FOR THE PEOPLE AND CHILDREN OF THE GHETTO!

AND HER IDOLS JUST TO NAME A FEW THE PROPHETS OF RASTAFARI, BOB NESTA MARLEY, CULTURE,
CAPLETON, SIZZLA, ANTHONY B, LUCIANO, YAMI BOLO, AND LAST BUT NOT LEAST GARNET SILK AND JAH
CURE.

NOW RESIDING IN MONTREAL, CANADA, THE LITTLE PRINCESS CONTINUES TO STRIVE UP THE INDUSTRY,
AIMING TO BE HEARD. YOU CAN HEAR THE LITTLE PRINCESS ON A FEW RADIO STATION, REGGAE PROGRAMS AROUND MONTREAL. AN ACHIEVEMENT THAT IS JUST THE BEGINNING OF THE NEXT LEVEL OF HER SUCCESS. THESE STATIONS INCLUDES CKUT SHOW TIME FRIDAYS AT 12 TO 2 PM, K103.7 SHOW TIME 10 TO 12PM, RADIO CPAM 89.9AM SHOW TIME SATURDAYS AT 6 PM TO 8 PM.

ALSO THE LITTLE PRINCESS HAS GRACED A FEW STAGES HERE IN MONTREAL INCLUDING, WELCOME TO
MONTREAL HELD AT EB RESTO BAR, A TALENT SHOW AT THE JAMAICAN ASSOCIATION, A SHOW AT VISIONS NIGHT CLUB, AND SHE CONTINUES TO STRIVE TO MORE MORE SHOWS.
THE LITTLE PRINCESS INTENDS TO NOT STOP UNTIL HER DREAMS MANIFEST. SHE ALSO IS BEING
FEATURED ON A FEW WEBSITES ALSO, INCLUDING WWW.BIGUPRADIO.COM, WWW.RASETV.COM IN THE RASE MODELS SECTION.

YOU CAN NOW FIND OUT MORE ABOUT THE PRINCESS ON HER OWN
SITES,WWW.MYSPACE.COM/IAESHAA,WWW.MYSPACE.COM/IAESHAAAKATHELITTLEPRINCESS,OR JUST TYPE IAESHAA IN GOOGLE SEARCH.

THE LITTLE PRINCESS, A NAME ACQUIRED THROUGH HER OWN PHRASE (ROYALTY IS EVIDENT IN A PURE
FAITHFUL HEART) HENCE STRIVING TO TELL HER OWN STORY OF THE EXPERIENCES OF THE LIFE OF A
WOMAN. HENCE AIMING TO BRING UNITY BETWEEN ALL WOMAN OF SOCIETY, AND TEACHING THEM TO LOVE AND RESPECT THEMSELVES.

YOURS TRULY AT DANCEHALLBRAT ENT. (written by)

::: FOOTA HYPE LIVE IN MONTREAL :::

July 19, 2006

Foota Hype is one of the most rapid rising selectors in Jamaican dancehall music. In Jamaica where selectors spend several years trying to make their name known to the dancehall audiences, Foota Hype’s exploits have earned him a renowned name plus a tight following in relatively record time. His face pops up on the posters for major stage shows and concerts, and he is known as the selector who plays tracks both here and overseas for the spirited Bounty Killer. Known for bravado and comical expressions on the microphone, Foota is a crowd favourite in the expansive music loving communities across the country. He unofficially started his career as Oneil Thomas while a student at Calabar High.

Though he was not active in the business at that time, his father was a selector on the Singer Tone sound system. He therefore had no choice but to see the turntables at work, and to experience the joy that playing tunes for the masses brings. His father’s skills were apparently passed on to him, but on the verbal side at first. Foota found himself mastering the art of debating forcefully among his friends, and was known to have an answer for everything. These were the building blocks of his verbal assaults he is known for while selecting.

By the time he was 13, Foota found out he could rhyme, and write, but rather than become a deejay, he chose to pursue selecting. “I can rhyme good and write tune but it was not in me to deejay it back. Mi strength is in debating, but who knows. Maybe mi no see it yet,” he states. His turntable duties started on the Twilight sound system, which back then had the basic set up of two turntables, a mixer, amplifiers, and three boom boxes. Nothing was basic about his experiences though.

Foota was schooled on this sound system. He learnt how to interact with his audience, and how to judge crowd reactions to his tunes. He learnt how to play a complete set starting at a slow pace and building things up to feverish excitement. With this experience, he steadily built up his reputation, moving from community to community in Kingston’s innercities, where dancehall music’s harshest audiences live. With the popularity came offers to join other sound systems, but he never accepted any offers until he moved to Melody One. Melody One is owned by singer Leroy Sibbles, and with the links Sibbles had in the business, it wasn’t long before he was mingling with the likes of several leading deejays, among them, the fiery Bounty Killer. The two had matching interests, and over time eventually became friends.

Things slowed down on Melody One over time, and Foota started hunting a suitable system to work on. He approached several with his demos, but none seemed willing to use him because of full rosters. Friends in the business encouraged him to go solo, a risky trend which had ruined other selectors. It was not until the duo Razz and Biggie along with Bounty Killer encouraged him to venture out that he considered it seriously. He launched out after 2001, and has not looked back since then. He plays everywhere now.

Check him out on Saturday July 22, 2006 at Castleton Gardens alongside Montreal's King Levi and special guests passing through. Also featuring Princess Buffie; Queen Sheba; Lady Splitz and more... Be there!

::: CANADIAN REGGAE STAR WINNER :::

ZULU BLAK VICTORIOUS

June 13, 2006

Zulu Blak won the 1^st Canadian Reggae Star that was held on Saturday June 10, 2006 live in Montreal at the Showcase. His grand prize includes Shocking Vibes record deal (Beenie Man/Tanto Metro & Devonte); Music video deal; open for Kymani Marley at the Montreal Intl. Reggae Festival; Studio Time; 5 star hotel and much more.

Biography

I was born the youngest of 5 brothers in Kingston, Jamaica. Then immigrated to Canada at 10 years old, but traveled back to Jamaica frequently since. Became interested in music (artistically) at the age of 16 and drew inspiration from sources like Bob Marley, Buju Banton, Buccaneer, Bounty to name a few; as well as local Montreal talents like Mikey Dangerous.

Encouraged by 2 older brothers, I started practicing, lyrically, but a tragic family situation took my focus away from practicing dancehall, and music on a whole. 2 Years down the line (in 1998), I started studying, and writing poetry in an English course. A friend I knew from High School gave me a Bob Marley CD collection that year with songs that Bob made from his teenage years, to music he made at the end of his life. Music regained its place with me and I started listening, challenging, and sometime remixing other people’s music. One of my habits would be to listen to the ‘riddim’ and try to find out what the person who made the riddim was trying to say. Then I would try to put words to it. I would never right down the songs, so after a couple of weeks I would forget it. But bit-by-bit I started to write them down and perform them for friends and family. They all now encourage me to put it to brave use.

I started questioning the dancehall scene in Montreal and vowed that in 2006 Montreal would get to know me ZuluBlak

For more information; log on to www.rasetv.ca

::: LADY SPLITZ - DANCEHALL QUEEN :::

Montreal's 2006 Dancehall Queen

May 30, 2006

Trendsetting Lady Splitz is the founder of Mystique Dancers, Montreal's first dancehall troupe which was founded in 2003. Since that date many other local dancehall groups have been created. Under Lady Splitz' innovative leadership style, Mystique Dancers is a much sought after entertainment group that have performed in many different events, taking their eclectic dancehall moves to a cross generation of audiences. The group has many props and street creds including opening for artists like Elephant Man and Sizzla. They have won many Canadian dance competitions like the Montreal Dancehall Clash and the Jamaican produced Jiggy Hype competition both staged in 2004.

As an individual artist, Lady Splitz was professionally trained in Afro-Caribbean dance, as she got older she moved into other urban dance forms like Jamaican dancehall. In 2005, she placed 2nd in Toronto’s Miss Jamboree and she was recently crowned Montreal’s Dancehall Queen on March 11, 2006. In the Montreal dancehall arena, Lady Splitz has worked tirelessly to ensure that the very best dancehall troupes and individuals are prominently positioned in and around Montreal dancehall events. She has worked with groups like Mayhem’s Finest, Yardiz and individuals like the 2006 Montreal Dancehall King, Euge and Toronto's 2006 Dancehall King, Boneless to name a few.

For bookings and further information for Lady Splitz and Mystique Dancers please contact: mystiquedance@hotmail.com or call 514-588-8669

:: GEAR UP FOR THE SUMMER OF SEAN

May 26, 2006

Sean Paul's third album, The Trinity (VP/Atlantic), has been certified platinum by the RIAA for U.S. sales of over 1 million units. The album current smash single, "Temperature," held the #1 spot on Billboard's Hot 100 Airplay chart for four consecutive weeks. The album's first single, "We Be Burnin'," was recently certified as an RIAA double platinum digital single. "Give It Up To Me," the third single from The Trinity, has just been released.

On the heels of his latest platinum certification, Sean Paul is gearing up for a fantastic summer - in addition to an extensive 4-week European tour, Sean will perform at MTV's Beach House on May 31^st and at NYC's Hot 97 Summer Jam, the largest one-day hip-hop festival in the country.

Sean Paul's The Trinity is currently in its 33^rd week on the national charts, including its 20^th week at #1 on Billboard's Top Reggae Albums chart. The album has also been a huge hit around the world, selling over 1.2 million copies overseas. It is certified platinum in Canada, France, and the Gulf States, and gold in Belgium, Hong Kong, Ireland, Switzerland, Japan, and the United Kingdom, with as many as four singles heating up in these territories. The newest single to hit the international airwaves will be "Never Be The Same."

Sean has been seen performing hits from The Trinity on "The Tonight Show With Jay Leno," "Live! With Regis & Kelly," "The Jimmy Kimmel Show," and "Last Call with Carson Daly." He's recently been featured on the cover of YRB Magazine, Trace Magazine, Ozone Magazine, Music Connection, and Cannabis Culture. He is the most successful Jamaican artist of all time on the U.S. Charts, with three #1 singles ("Temperature," "Get Busy," and "Baby Boy"), five Top Ten hits (including "We Be Burnin'" and "Gimme The Light"), and eight chart entries over two worldwide multi-platinum albums. He's about to push that even further with the release of "Give It Up to Me."

The Trinity is the follow-up to Sean's smash VP/Atlantic debut, Dutty Rock, which sold more than 6 million copies worldwide. In the wake of the breakthrough success of Dutty Rock, Sean racked up numerous prestigious awards, including the Grammy for Best Reggae Album - redefining the category in the process. He won MTV Europe's Best New Artist Award as well as Source, MOBO, Juno, Much Music, and International Reggae and World Music awards.

For more information, please visit www.seanpaulmusic.com.

:: IN THE ZONE GOES COMMERCIAL RADIO

March 24, 2006

As a compliment to the success of the 1^st season on television, founders decided the timing was perfect to take the show on mainstream radio.

Until now, IN THE ZONE was seen on CH Montreal, Bell Express Vu and Roger’s digital television stations. It was a weekly exposé of Caribbean arts and entertainment. The 30 minute program, which aired on a weekly basis, featured interviews with international and Canadian artists and community personalities, concert footage, music videos, fashion, comedy, and more.

The format of the radio program will remain the same as the television version of the program, adding different elements to it, such as live singing from the Canadian reggae star competitors, listener interaction, email and call in requests. In the Zone will be a bilingual program featuring reggae, soca, reggaeton and kompa music.

Hosted by Prymtym and Lisa J, Lydia P will join the team as the entertainment scoop reporter. “Radio is the next step in our major plans for In the Zone” says Lisa J.

Show statistics:

- Prime time and ideal slot of 9-11 pm every Saturday night

- In the Zone will be on Montreal’s only multilingual radio broadcast station-CFMB 1280 AM

- In the Zone will be broadcast to over 1 million homes

- CFMB operates on 50,000 watts and therefore covers as far west as Ottawa and Cornwall, as far north as Mont-Tremblant, as far east as Quebec city and as far south as Plattsburgh, New York

- In the Zone will be the only French and English Caribbean program on mainstream radio featuring exclusive reggae, soca, reggaeton and kompa

- Listeners will be primarily English, French and Creole speaking

- Target demographic is 18-50 years old

- In the Zone can be heard on the internet during the live broadcast

In the Zone will broadcast live from the 3^rd annual Montreal International Reggae Festival on Saturday July 15^th, 2006. Listeners can look forward to hearing exclusive backstage interviews, along with some of the stage performances from the artists slated to perform that evening

First broadcast is Saturday May 13^th, at 9pm on CFMB 1280 AM.

:: SIZZLA RETURNS TO MONTREAL

Friday February 24, 2006

Montreal (QC) - February 20, 2006, Zone1 Entertainment (out of Toronto) in collaboration with Cezar Brumeanu Productions present international superstar Sizzla Kalonji featuring the Judgment Yard Crew, performing live at Le Medley (1170 St-Denis) on Saturday, March 18th, 2006. After his previous successfull sold-out show in Montreal and Toronto in August 2004, Sizzla is now going on a Canada-wide "Da Real LIVE Thing Tour"; in such cities as Vancouver, Calgary, Montreal, Cambridge, and Toronto, respectively. Opening acts for the Montreal show (March 18), include Django, Sampaloo, Toronto's Sample King, and more. Hosts for the night include Prymtym and Don Ignorance. Music will be provided by Montreal's own Little Thunder, Assassins, and Toronto's King Klepto.

Sizzla Kalonji hails from August Town, Kingston in Jamaica. After his discovery in the 1990's, he was quickly catapulted to the forefront of Reggae music's roots movement. As one of reggae music's most prolific artists, Sizzla has the reputation of mastering the art of fusing socially charged lyrics and contemporary dancehall beats. As a member of the militant Bobo Ashanti tribe, Sizzla draws on his religious and social beliefs to condemn oppression and injustice. Among his listeners he has a strong appeal because he is able to give voice to the struggles of Jamaican youth. As prolific as he is, in many circles Sizzla is best known for the classic album and title track, "Praise Ye Jah" (1997). Hip-Hop and Pop audiences were introduced to Sizzla when Hip-Hop star Ja-Rule sampled "Solid As A Rock" (2002) in 2003 for his song "The Crown".

Sizzla has recently signed with the Damon Dash Music Group (DDMG). Sizzla has over 30 full-length albums released for labels like VP Records, Greensleeves, and Jet Star- countless 7-inch singles released in his native Jamaica - including the crossover smash "Just One Of Those Days (Dry Cry)". And now, his forthcoming DDMG release, set for an early-2006 release, will mark Sizzla's major-label debut.

If you've loved Sizzla's last performances in 2004, you'll definitely not want to miss this one! First 200 Tickets at $30 only at: Triple AAA (514-344-5353). Advance Tickets are $40 available at: www.TicketPro.ca (514-908-9090), Vibes (875-5215) -All locations, Hot Spot (937-7768), Je L'Ai (284-5393), Lasalle Carib (368-4808), Ma's Place (487-7488), Mango Bay (875-7082), Natural Beauty (369-2929), Princessa's (595-4894), Eve's Salon (939-3690), Laced Up Fashion (421-2233), Homegrown Studio (937-0171) www.blackmontreal.com , www.montrealdancehall.com

Door tickets: $50 + admin. fees + taxes. Info Line: (514)842-6557 - Le Medley

:: TWIN OF TWINS

Sunday September 25, 2005

In August of 2005, the Twin of Twins CD Stir it Up Vol.5 “The Crucifiction of the Ghetto” spent three weeks at # 1 on the Jamaican X-News and Hot 102 album charts. An amazing 12 years after their first “Stir it Up” CD started bubbling underground; the Twins finally achieved the mainstream recognition that they had been diligently striving for their entire career. The 5^th volume in the series perfected their formula of combining well crafted music from these Grammy Nominated songwriters, alongside biting social commentary, and comical interpretations of real life situations and people.

In the short time since the December, 2004 release of their groundbreaking “Crucifiction of the Ghetto”, demand for the Twins has lead them to perform at many of the major shows in Jamaica, including what critics called a “brilliant” performance on dancehall night of Reggae Sumfest. The Twin of Twins have started extensive touring of the US, and have future shows scheduled for Europe and many of the Caribbean islands, where their CD has achieved a “cult” status. Alongside the “Billboard charting” producer Henry K. who manages the record label, their “Kingston 13” imprint has established its own independent worldwide distribution network, and has initiated an intensive internet presence.

Fall 2005, will see the release of the highly anticipated new album “Stir it Up” vol.6 “The Resurrection of the Ghetto”. Recorded in their private studio in Kingston, the new CD will continue to feature some of the characters that the public has embraced with such vigor, and as always will shock and surprise listeners with new voices from the Jamaican and the International music scene. A new twist to this CD is the inclusion of some the hit singles the Twins have recently recorded for other producers, further cementing their reputation as world class Djs. The Twins have acquired street credibility for an unwavering stance on issues that connect with everyday people. This stance has created a loyal following that has helped The Twins build an independent, self reliant infrastructure that lets them take their message and music directly to the people. The fact that the Twins can have a Top 10 selling CD for over 3 months, in spite of pirating, and without a music video or “radio hit” single, shows their power draw listeners, record buyers and concert audiences.

:: WHO IS RIHANNA?

Sunday August 27th, 2005 (www.bajandancehall.com)

There's nothing like the warm spirit of the Caribbean to re-energize a dry, stale season of the same old song and dance. And with summer fast approaching there couldn't be a better time for Barbados-born singer Rihanna to break into an industry that is eager to celebrate the next big thing. Thanks to multi-platinum island-born superstars like Sean Paul, Shaggy and Elephant Man, the mainstream has been primed for a rhythmic female star to step into the forefront of popular music.

Besides ripping traditional reggae tracks like a seasoned dancehall queen, the stunning 17-year-old Rihanna possesses a powerful singing voice that conjures up feelings and experiences way beyond her years. It's no wonder that all it took was a quick audition with Shawn “Jay-Z” Carter, President and CEO of Def Jam Recordings, for the green-eyed beauty to solidify a recording contract with the multi-million dollar record company. While that performance ended up changing her life forever, the sweet natured island girl laughs at her own naiveté at the time. "I was in the lobby shaking!," remembers Rihanna with a healthy dose of her Bajan accent hanging onto every one of her words. "I saw just a little bit of Jay's face down the hall and I was just like, 'Oh my God!' I had never met a celebrity, and to meet a celebrity who's also the president of the label, that was crazy!!"

Luckily Rihanna was able to shake the jitters as soon as she started her impromptu showcase, a performance that forced her future label bosses to sign the deal before she walked out of their offices. "We were there until 4:30 in the morning closing the deal. Every time I signed my name I was just smiling."

"PON DE REPLAY" - Featuring Rihanna

:: CAPLETON - REIGN OF FIRE

Sunday August 27, 2005

It has been decades now that Rastafarian culture has been very dominant in Jamaica. In earlier years, they were rigidly discriminated against and at one time they were even being referred to as 'The Blackheart Man.' However, through their confidence and persistence, their religion has become so powerful that its traits can now be found on each corner of the globe. Nevertheless, it was music which is one of the more important factors that brought about this change. Bob Marley, the reggae ambassador, was one of the first Rastafarians whose music and culture had a great impact on the world. On the other hand, as far as dancehall is concerned a young Ras who hails from the Parish of St Mary can be held liable for maintaining this culture through music, but from a different angle.

Born Clifton George Bailey III, Capleton is no longer taken aback that even though he is of African descent, his name is one third English, Greek, and Irish. As a youth growing up, he loved to talk and one day he intervened into a conversation with some of his friends and began to draw some important points. They were very astonished and said to themselves, he must be lawyer Capleton, an infamous lawyer from St Mary at the time. From then on he was stuck with the name which he still uses whenever he makes appearances worldwide. However, it was in 1989 that he got his break even though he believes that he was musically inclined from a youth. He feels that it was the manifestation of Jah that made him choose a career in music, although he was influenced musically by Bob Marley, Bunny Wailor and Peter Tosh. At the time, Papa San was his favorite deejay because he liked the length of his lyrics and so, it inspired him to create longer ones.

On numerous occasions you can hear Capleton associating himself with the David House Crew. He explains that they are just some warriors who are burning some different kinds of fire. The crew consists of artists like Sizzla, Determine, Jah Mason, Jah Thunder, Militiary Man, Jah Fiery and a few others. They did a collaboration called 'Hail The King' which was a big tune in the dancehall and we can look out for more potent tunes coming out from this cocksure group. Possibly, you may see this on Rueben Productions, a label which the deejay Capleton is planning to unveil soon. He chose the name because the Rueben tribe is blessed with excellence of dignity, unstable like water and is the beginning of strength. This label will be based in St Mary, Capleton's home parish as he plans to break out a lot of youths, not only from surrounding area but also as far as Africa.

In closing, Capleton advises the youths and his fans to keep listening to the music because the music is an international language that speaks for itself in many different levels. In his opinion, music is also a natural source of life because if one does not have food and water, the music can still soothe the soul. In addition, the deejay would like to let everyone know that life is not just about sex, money and material things. We have greater elements that surround life which are much more valuable like patience and faithfulness, having a clean heart and a clear conscience and a firm meditation. He also recommends that we be ourselves and remember that God is not a spirit so we should leave the fantasy and illusion behind.

Naturally, Capleton is one of the better deejays you can find in the industry today. He has already proved his ability and versatility by topping the Billboard charts and by creating numerous dancehall classics for which our future generations will find pleasure. A message is always in his music and he constantly does his best at bringing forth tunes making us aware of who we are. His music and teachings are consistent with those of the straight and narrow road and we definitely should be on the alert for more hits and words of wisdom coming out of this pliant artist.

Capleton will be in Montreal live in concert on Friday October 7 in Montreal. More info coming soon...